![]() Outside of the show, we decided why not create our bar to be Fang Bang. So, inside the show The Immortal Reckoning, you get to meet these characters. The guest haunted when the minutes drag password#Barnaby’s this old queen who’s a vampire who has this eighties, new wave, goth club that vampires run, and then certain nights it’s vampire only, and you have to have a password to get in, and this is all woven into the show. So, in The Immortal Reckoning, there is this whole section that’s built around this character, Eli Barnaby, and Eli. The guest haunted when the minutes drag full#In addition to the Immortal Reckoning, which is our full show, we’re also doing this whole immersive pop-up vampire bar experience. We’re actually creating the vampire bar at the mint, which will be open to the public. We’re not only doing the new show, The Immortal Reckoning, but there’s a part of the show this year that centers around a storyline which is a vampire bar set in the eighties. And that to me is, “okay, we’re doing our job, right? No one who reviews the show questions, the ticket price.” So, we delivered, but the challenge for us is to convince people it’s a 60-minute theatrical attraction. But when folks come to the show, even if they’re skeptical about the ticket price, what we really love is that nobody complains about the price after they’ve been through the show. What we found is people look at our ticket price, for example, and if they are assuming it’s a haunted maze experience, our ticket price looks quite high to people, we start at $50 and go up from there. Luckily, for our audience, our demographic, especially in the Bay Area, this seems to have been a correct decision. It’s the kind of show that we want to see happen, so we made it happen. We really are trying to walk the line between satisfying, both. If you’re not interested in the storytelling and just want to come and have a chainsaw thrown in your face, we’ll do that too. So, you as a guest, buying a ticket to this museum walk can actually learn about some of the items on our website. We’ve designed it so that there’s even stuff available to you before you get to the Mint. Joshua: I think that the challenge for us has been, how do we create an experience that is an elevated version of the haunted maze, the haunted house, that we loved so much as children? And how do we make it so that it’s both entertaining to the people who want the shit scared out of them, as well as people who are really interested in the storytelling and immersive components of the show? Of course, one of those items causes things to go haywire, alongside one of the characters in the show, and a portal to another dimension opens up, and you as the guest go through this dimension and must actually go on an adventure in order to basically make it back before time has run out and the Immortal Reckoning occurs. You are invited, as the guests, to come and see this collection. Which is that, later in the history of the San Francisco Mint, the Blackwell family, who owns the largest collection of a cult artifacts in the world, was utilizing the mint to store these expensive and powerful items. This year, because of the pandemic and because of wanting to shake things up and having more time, David and I decided to switch gears and try to do something a little different, which then ended up being a lot different because we created a whole new storyline. So, we built a haunted ghost story around that that storyline. So, this was before Alcatraz was built, and so we created this sort of scenario where the mystery of the San Francisco mint building was that they were actually housing prisoners in the vaults. Joshua: So, Terror Vault, the first couple years, had a very specific storyline, which was that the San Francisco Mint Building after the 1906 earthquake was secretly used by the federal government and the city of San Francisco as a prison. ![]()
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